The D.H. Lawrence Society of North America site
Lawrence Society of Australia
The University of Nottingham "D.H. Lawrence
Etudes lawrenciennes--D.H.Lawrence Studies
Eastwood resident, Gavin Gillespie's Lawrence page with
excellent local photos
(In the process of being relocated)
Tina Ferris's "D.H. Lawrence Grove"
A concise D.H. Lawrence bibliography
The Lawrence page on Diane Ward's "Aesthete's List"
A hypertext version of
Studies in Classic American Literature
A page featuring Lawrence's paintings
"An Enjoyable Christmas: A Prelude," by Jessie Chambers [D.H. Lawrence]
D.H. Lawrence and the Guysers, by Peter Millington
The two above pages from Traditional Drama Forum No.8, the Traditional Drama Research Group site, NATCECT, University of Sheffield, England:
A life in pictures: Lawrence's paintings contain all the raw sexuality promised by his writings, and their nudity duly threw the establishment into turmoil, says Jonathan Jones (The Guardian, 8 Nov. 2003)
Lawrence scholar L.D. Clark's website, featuring information about his novel,
Keith Sagar's website with a page on Lawrence.
Includes free downloadable essays on "St Mawr:
The Monk and the Beast" and "The Ending of Sons and
Librivox has audio-files of the following Lawrence poems:
The English Review
complete issues from many of the early volumes including
Lawrence's early poetry and short story publications ("A
Still Afternoon" V3 #12, & "Goose Fair" V4 #15).
Volume 1 also contains H.G. Wells' novel in 4 parts Tono-Bungay: A Romance of Commerce, which Lawrence
raved over in several letters where he calls it "a great
book." To Blanche Jennings (March 6, 1909) he writes:
"Now I have just finished Wells'
the English Review. Do you take the Review--if
not, then you ought. At any rate, you must, must
read Tono Bungay. . . . It is the best novel Wells
has written--it is the best novel I have read for--oh, how
long? But it makes me so sad. If you knew what
a weight of sadness Wells pours into your heart as you
read him--Oh, Mon Dieu! He is a terrible pessimist
But, Weh mir, he is, on the whole, so true." (LI,